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Graded on execution, not on price tag.

The top grade of handwoven Sumba textile — selected for even weave, deep natural dye and uninterrupted motif composition — for designers and owners specifying textile as an architectural element rather than an accessory.

Grading criteria
5
Specification points
5
Dye batch per scheme
1
Pahikung sarong with shell ornaments sewn along a woven geometric band
Pahikung sarong with shell ornaments sewn along a woven geometric band

What separates premium grade from standard cloth?

Grade in handwoven cloth is judged on execution, and the clearest single indicator is dye depth: premium naturally dyed Sumba cloth goes through repeated immersion cycles over an extended period, producing a saturation a short dyeing run cannot imitate.

  • Motif registration: pattern alignment held cleanly across the full width of the cloth.
  • Weft consistency: even beat along the length, without visible density banding.
  • Dye saturation: colour that reads richly under both daylight and warm artificial light.
  • Finishing: hand-worked selvedges and fringes, correctly secured.
  • Composition: a complete, balanced design rather than a cut section of one.

Pieces that miss on any one of these are offered in another range instead of being described upward.

How designers specify Sumba ikat into a scheme

Five points

The most common specification error is treating handwoven cloth like a catalogue product with a fixed reference number. Each piece is individual, so the specification has to record the actual piece — and that record has to be locked before the scheme is presented to a client.

Piece identity

What to record

Reference photograph front and back

Why it matters

Handwoven pieces are not interchangeable

Actual dimensions

What to record

Measured size, not nominal size

Why it matters

Handwoven cloth varies from nominal figures

Dye type

What to record

Natural or colourfast, stated

Why it matters

Determines light and cleaning tolerance

Mounting method

What to record

Sleeve and rod, stretcher, or frame

Why it matters

Affects lead time and site preparation

Light exposure

What to record

Wall orientation and lighting design

Why it matters

Governs long-term colour retention

Mounting, framing and installation

A premium panel supported at points will distort within months, because the entire weight of the cloth concentrates at the fixings. Support the full top edge instead.

  1. 01

    Sewn sleeve and rigid rod

    The default. Spreads weight evenly across the full width.

  2. 02

    Padded stretcher

    For pieces that need to sit flat against a plane.

  3. 03

    Conservation frame

    With a spacer, so the textile never presses against glazing.

  4. 04

    Confirm the drop on site

    For high-ceiling spaces, against the actual wall, including rod projection and shadow gap.

  5. 05

    Allow airflow behind

    In humid coastal properties. Trapped moisture is the most common cause of staining in tropical interiors.

Close detail of Sumba ikat showing the depth built by repeated dye immersions

Light, longevity and realistic expectations

Natural dyes will shift over time under light, and no supplier can honestly promise otherwise. What can be controlled is the rate: indirect light, no direct spotlighting on the cloth, and periodic rotation of displayed pieces will keep a panel reading correctly for far longer than a sunlit wall will.

Where a scheme places textile in a genuinely bright position, we say so and suggest either a colourfast dye option or a different placement, rather than supplying a piece that will disappoint.

Discuss a scheme

Lead times and reservation for projects

Premium pieces are individual, which means the piece a client approves in a presentation must be reserved at that moment or it may not be available at sign-off.

  1. 01

    Present with the piece identified

    Reference photographs front and back, measured size, dye type.

  2. 02

    Reserve at approval

    We hold approved pieces against a written reservation while the scheme is finalised.

  3. 03

    Build it into your process

    Treat the reservation step as part of client approval rather than treating stock as a given.

  4. 04

    Commission if needed

    Where a project needs more than current stock allows, weaving runs on the tying, dyeing and weaving cycle and must be scheduled against your handover date well in advance.

Frequently asked questions

Four questions

Project enquiry

Send the wall, the light and the handover date.

Wall dimensions, lighting conditions, quantity and handover date. We return graded pieces with measured sizes, dye information and a written quotation.