Skip to content

Plan the cut around the loom, not the mill.

Loom-woven cotton sold as continuous yardage rather than a finished panel, for designers, upholsterers and makers who cut and sew the cloth themselves. Width, repeat, dye behaviour and shrinkage are design constraints here — getting them wrong after cutting is expensive.

Single woven width
60–90cm
Joined width
120–180cm
Batch per collection
1
Close detail of Sumba ikat, showing the soft-edged pattern that comes from dyeing the thread before weaving
Close detail of Sumba ikat, showing the soft-edged pattern that comes from dyeing the thread before weaving

How wide is handwoven Sumba ikat cloth?

Traditional Sumba weaving is done on narrow looms, so a single woven width is far narrower than the 140–150 cm roll goods most designers are used to. Wider cloth is achieved by joining two woven widths along a centre seam — not a defect, but how the cloth has always been made.

  • Single woven width: usually 60–90 cm, the standard unit of supply.
  • Joined width: two panels seamed, giving roughly 120–180 cm with a visible centre join.
  • Continuous length is limited by the warp that was set up, so long single runs need planning before weaving starts.
  • Pattern repeat is determined at the tying stage, not by a printing cylinder, so repeats vary slightly along the length.

Plan your marker and cutting layout around the narrow width from the beginning. Designers who discover the constraint after finalising a pattern usually lose yardage to inefficient nesting.

What can you make from Sumba ikat yardage?

Five applications

A medium-weight cotton with visible hand: excellent for structured pieces, less suitable for anything needing high drape or stretch. It takes a crisp fold, holds a pleat moderately well, and photographs with depth because the dye sits inside the yarn rather than on the surface.

Jackets, kimonos, structured outerwear

Suitability

Strong

Planning note

Place motifs deliberately across fronts and back

Bags, pouches, accessories

Suitability

Strong

Planning note

Efficient use of narrow width and offcuts

Cushion covers, upholstery panels

Suitability

Strong with backing

Planning note

Back with a stable lining for seating use

Skirts, wide trousers, unstructured dresses

Suitability

Moderate

Planning note

Test drape on a sample before committing

Fitted, stretch, or bias-cut garments

Suitability

Limited

Planning note

Cotton ikat has no stretch and resists bias movement

Dye types, colourfastness and shrinkage

Naturally dyed cloth using morinda root and indigo releases some colour on first washing. That is normal plant-dye behaviour, not a fault — but cotton shrinkage after cutting is unrecoverable.

  1. 01

    Wash-test the sample

    Order a sample cut and wash-test it before committing to a production quantity.

  2. 02

    Pre-wash the full order

    If the finished item will be laundered, pre-wash and dry everything before cutting.

  3. 03

    Expect the colour to settle

    Natural dyes soften over the first few washes rather than holding first-cut intensity.

  4. 04

    Ask for colourfast dyes

    If the end use involves frequent laundering or heavy sunlight.

  5. 05

    Keep a reference cut

    Labelled, from each batch, so a future reorder can be matched as closely as the technique allows.

Cream Sumba ikat with red and blue figures, showing the feathered motif edges

Why the pattern shifts slightly along the length

In ikat, the pattern is bound and dyed into the warp threads before weaving, so alignment is set by hand during tying and by tension during weaving. Small shifts of a few millimetres along the length are inherent to the technique — and the clearest evidence a cloth is genuinely handwoven rather than printed.

Treat it as a design input. Place motifs on garment panels intentionally, and avoid designs that require perfect motif mirroring across a seam unless you have discussed that requirement before weaving begins.

Discuss motif placement

Samples, batches and lead time

Because ikat is dyed before weaving, a repeat order is a new dye batch rather than a cut from the same roll, and small colour variation between batches is unavoidable. Order the full quantity you need for a collection at once, plus a margin for cutting errors and future repairs.

  1. 01

    Sample cut

    Drawn from the same batch as the offered stock.

  2. 02

    Wash test

    Under your own washing and pressing conditions.

  3. 03

    Confirm width and dye

    In writing, before anything is scheduled.

  4. 04

    Written quotation

    Covering quantity, dye method and timeline.

  5. 05

    Production

    Stock yardage ships faster; commissioned runs are scheduled around the weaver’s warp setup.

Frequently asked questions

Four questions

Next step

Send your meterage and we will send a sample cut.

Required meterage, intended application and destination country. We reply with available widths, dye options and a written quotation.