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The price is agreed before the work starts.

We buy from the weavers and dye workshops that make the cloth and sell to the international buyer with no intermediate trader layer. You know which community produced a piece; the weaver is paid against an agreed order rather than a market price set after the work is finished.

Parties in the chain
2
Things agreed before weaving
7
Named risks, managed
3
A woman in an ikat wrap looking out over a traditional Sumbanese village
A woman in an ikat wrap looking out over a traditional Sumbanese village

Direct trade is not only an ethical position

A buyer who can name the origin of a lot can answer provenance questions from customers, repeat an order from the same hands, and plan production capacity instead of hoping the right stock appears at market. It also removes the price opacity that makes handwoven textile sourcing difficult to budget.

  • In a conventional chain, cloth passes through collectors and traders before reaching an exporter. Each handover adds margin while erasing information about who made the piece and when.
  • Direct sourcing compresses that chain to two parties, which changes what can actually be promised.

What direct trade changes in practice

Five questions

Who wove this piece?

Conventional chain

Usually unknown by the time it ships

Direct trade

Recorded at the point of order

Can I reorder the same quality?

Conventional chain

Depends on what the market yields

Direct trade

Same workshop, same specification

When will it be ready?

Conventional chain

Estimated after purchase

Direct trade

Booked as a production slot before work starts

What was the weaver paid?

Conventional chain

Opaque

Direct trade

Agreed before weaving begins

Can quality be corrected?

Conventional chain

Only by rejecting stock

Direct trade

Adjusted during production

What is agreed before weaving begins

Everything that would otherwise become a dispute is written down at the start, because a handwoven order cannot be corrected retroactively once the warp is dressed and dyed.

  1. 01

    Piece list

    Format, quantity, panel width and finished length per piece.

  2. 02

    Yarn

    Handspun or machine-spun cotton, stated explicitly.

  3. 03

    Dye method

    Natural indigo and morinda root, synthetic, or a combination.

  4. 04

    Motif direction

    Which motif families are used and how they are laid out.

  5. 05

    Tolerance

    The acceptable colour and dimension range against a retained reference piece.

  6. 06

    Schedule

    Production start, milestone photographs, inspection date, dispatch window.

  7. 07

    Terms

    Deposit, balance, delivery terms, and who arranges freight.

A man in full Sumbanese ceremonial dress outside a traditional house

Fair payment, described rather than decorated

The verifiable commitment is structural: the price for a commissioned piece is agreed with the maker before work starts and is not renegotiated downward after the cloth exists. That protects the weaver from the classic risk of the craft, where months of labour meet a buyer’s market on delivery day.

We do not publish certification badges or third-party audit claims, because we would rather describe the mechanism than decorate it. Buyers who need documented social compliance for their own reporting should tell us what evidence their framework requires, and we will say plainly what we can and cannot supply for a given order.

Ask what we can evidence

How production capacity is actually planned

A large hinggi can occupy a weaver for months, and the dyeing that precedes weaving is measured in weeks of repeated dipping and drying. Capacity in Sumba is measured in loom-months rather than units per day, and that single fact governs every serious sourcing conversation.

  1. 01

    Start from your calendar

    Not from a stock list. Tell us in advance what you will need for a season.

  2. 02

    A slot is reserved

    A buyer who plans ahead gets a production slot. A buyer who orders when they run out competes for whatever capacity happens to be free.

  3. 03

    Recurring accounts hold allocation

    Effectively a standing reservation — the core benefit of the direct model.

  4. 04

    Progress photographs

    At agreed milestones, so problems surface while the loom is still running rather than after dispatch.

The three recurring risks are colour drift between lots, dimensional variation across pieces woven by different hands, and schedule slippage when weather interrupts the outdoor drying that natural dyeing depends on. All three are manageable if named before the order — and all three cause disputes when discovered after it. Where a piece falls outside the agreed tolerance it is replaced or re-priced by agreement, not shipped and argued about later.

Which buyers the direct model suits

The model’s advantages compound with continuity: the same workshop, the same reference piece, and a shortening feedback loop on quality.

Importers

Placing repeat orders against a planned calendar.

Boutique chains

Where the same quality has to arrive season after season.

Interior suppliers

Specifying against a reference piece held on both sides.

Gallery buyers

Who need origin recorded at the point of order.

It suits one-off opportunistic buyers less well, simply because the setup effort is disproportionate to a single small purchase — those buyers are usually better served from existing stock. There is no obligation to start large: stock order, then a small commissioned run, then a booked seasonal allocation is a sensible progression.

Frequently asked questions

Four questions

Next step

Tell us what you sell and what your customers ask for.

What you sell, the volume you expect over the next twelve months, and the provenance evidence your customers ask for — and we will explain exactly what we can commit to. We would rather turn down an order we cannot fulfil well than accept one and disappoint you at delivery.